I couldn’t agree with you more. Titles like “10 Awesome [insert category or attribute information here]” make very little sense in any situation and we’re working toward a standard that will correct this issue. We’re actively working on the supporting documentation and will be following up with the review team regularly to ensure these standards are met moving forward.
Sorry for the confusion. As Tyson has mentioned here, attribute-based information really does belong in the attributes. Titles should be a short succinct description of the file and not include extra, redundant information.
We just recently updated the knowledgebase to include this information, but then decided to go in a slightly different direction so the article update was rolled back. We’re still working on it, so it should be back up shortly with this information included. And in the future, we plan to make information like this a little more accessible to both new and existing authors.
Regarding the inconsistent reviews, I’m afraid there’s no other explanation other than a reviewing slip-up. Please understand that these small things can happen. When reviewers are looking at hundreds of submissions, occasionally small things like this tend to go overlooked. When we do notice the mistake we go back and correct it, and it looks like Tyson’s already handled it for the items noted in the start of this thread.
Sorry about the inconsistencies regarding item titles in the past. I’m going to make sure this information is added to the author knowledge-base and get the rest of the team on board with the same standardized naming conventions in the coming days.
The thing is, titles can and should be clear, concise and descriptive. But when creating a title, its important to name the item itself and not worry so much about describing what the item has or does, for Footage and Motion Graphics at least.
The easiest way to tell if you’re using an inappropriate term in your title is to look and see if that information can already be gathered based on the item’s attributes. For example, “looping” is an attribute, so there’s absolutely no reason to include the term “loop” in your title.
We also have categories/attributes for things like Time Lapse, Resolution and Alpha Channel, so again including “Time Lapse”, “Full HD”, or “Alpha Channel” in your item’s title is not only redundant, but it makes the item lists look a bit messy.
One author that really does a great job of item titles is Pressmaster. They don’t even use numbers as each of their items have unique titles, even when they submit many different submissions from the same matching shoot. Doing this not only keeps their titles clean, but it also allows their content to be found through many different search possibilities.
There is no new policy in place that states pans or camera moves are required. We began rejecting with this message recently because we started to see a great deal more clips which focus on very static content (landscapes, or buildings). And more importantly when the subject matter in these clips contain little to no movement, you start to run into the area of “what exactly is the point of this footage”.
Ultimately if the footage looks more like a photograph than a video it’s not going to be accepted based purely on a lack of overall utility. Please realize that we’re not trying to restrict you guys, or make it more difficult for you to sell with us. We need to ensure our library contains useful and valuable clips.
This goes back to a recent post from me where I listed some of the things we look out for. In this case, if your subject matter is static (for the most part), it’s probably best to work a smooth pan into the shot to ensure that there is still something moving.
More importantly, I personally feel like footage is getting a bit odd lately. With project files it always felt like authors actively tried to upload their best work. But with footage it can sometime feel like authors tend to literally cut up an hour shot into 120 30-second blocks and upload anything/everything regardless of what’s in the viewfinder. Basically letting the review team figure out which shots are keepers and which aren’t. This is the wrong approach.
I came across this camera when they dropped a press release about a year ago. It’s cool technology, but I think it’s mainly geared toward surveillance. Why anyone would need a security camera in 4K baffles me, but it seems to exist regardless.
@AndrVlad, when you do finally get your hands on it, please show off some test videos. I myself was considering getting one a while ago but ended up upgrading my computer/monitor instead. Would love to see your tests and get feedback on what you think of it.
Hey Mark, as we are talking about preview bitrate etc. Please take a look at this thread. Reencoding already compressed files is really not necessary. Let the authors do that if they want to. http://videohive.net/forums/thread/please-stop-destroying-our-work/109817
Hey Creattive, that’s actually an issue that the devs would need to look into. You might want to create a new support ticket and request that the devs see it..
Actually this isn’t a new feature or anything. Since we moved to the pop-up video preview (years now), the system has allowed for files to be uploaded in full 1080p, and when they’re displayed, the player scales them down to the selected resolution.
Unfortunately Tyson’s video slipped through, but if any files are uploaded in full HD (and we get them from time to time) they will be soft-rejected. Without the developers going in and optimizing things, I wouldn’t feel comfortable accepting full HD preview videos as I know quite a lot of people still struggle with load times for 960×540 videos.
I picked up a 27’ Dell Ultrasharp a few years ago and wasn’t too fond of it, ended up returning it a few days later. It had 3 dead pixels and it displayed gradients terribly, displayed a ton of banding. Ended up ordering one of these: http://www.samsung.com/us/computer/monitors/LS27B970DS/ZA and I’m pretty happy with it. The color is pretty great as is the viewing angle. It’s got two drawbacks..
- It’s got a glass screen, so if you sit in a room with a window behind you, I’d imagine you’d have a lot of glare issues. Thankfully my room has one window and it’s off to the side so I only have glare problems for about 45 minutes as the sun is going down.
- To make it really thin, they put all of the hardware in the base. So you can’t remove it from it’s base to mount it if you’d like to.
Besides that I have no complaints, best monitor I’ve ever owned and it’s got a wider range of colors over the Cinema Displays and the Ultrasharp line. I got mine from Newegg when it first came out and grabbed it for $960.00. Unfortunately it looks like Newegg no longer carries it, and Samsung’s site is listing it for $1,199. If you decide on this one, you might want to shop around and try to find a better price.